5 Simple Techniques For metafora

"The Asherah is an element of the jigsaw in weaving with each other the feminine threads of the religious history that would be a vital new breakthrough for Females, she says."[thirteen] An example of blended metaphor in print. Metaphors are most frequently compared with similes.

Humboldt continues to be, however, fairly unidentified in English-speaking nations. Andrew Goatly, in "Washing the Brain", will take on board the dual dilemma of conceptual metaphor for a framework implicit during the language as a method and the way in which folks and ideologies negotiate conceptual metaphors. Neural biological analysis indicates some metaphors are innate, as demonstrated by diminished metaphorical being familiar with in psychopathy.[37]

Metaphor is distinctive from metonymy, the two phrases show diverse fundamental modes of imagined. Metaphor is effective by bringing jointly concepts from diverse conceptual domains, Whilst metonymy utilizes one particular element from a supplied domain to refer to another carefully similar component.

Razvila se je v prvi polovici twenty. stoletja, za njenega začetnika pa je razglašen I. A. Richards, ki je v svoji razpravi Metaphor (1936) uvedel novo razumevanje metafore in prelomil z retoričnim pojmovanjem metafore, saj metafore ne pojmuje več kot jezikovni odklon ali okras, temveč kot ubeseditev dveh idej, ki delujeta istočasno. O metafori lahko po Richardsu govorimo tedaj, ko »imamo dve misli o različnih stvareh, ki delujeta hkrati in se naslanjata na eno besedo ali izraz, smisel pa je rezultat njunega medsebojnega učinkovanja« . Za člena metafore je predlagal izraza tenor in automobile. Metafora je postavljena v predikacijo in obravnavana v kontekstu; tako je postala nekakšna mala zgodba za izražanje misli, čustev in domišljije.

En el campo de la literatura, cuando el autor o la autora de un texto poético utiliza satisfiedáforas, no busca transmitir Concepts de manera sintética, sino que tiende a sustituir los términos reales por los imaginarios de un modo que no transmite un significado claro.

Po Aristotelu ima metafora dve vlogi; uporablja se za zapolnjevanje leksikalne praznine (katahreza), predvsem pa kot pesniški okras, kar pomeni, da je njeno primarno mesto v pesniškem in umetelnem jeziku, medtem ko je vsakdanji jezik brez metafor, kar je v močnem nasprotju z dognanji kognitivne lingvistike, ki pravi, da je prav vsakdanji jezik močno prepreden z metaforo.

It equates those two matters not due to the fact they actually are exactly the same, but for the sake of comparison or symbolism

Во фразата „земји што припаѓаат на круната", зборот „круна" е метонимија за владетел или монарх.

Iz Aristotelovega pojmovanja metafore, to je prevzemanja nepravega imena namesto pravega, izhaja, da je metafora jezikovni odklon oziroma jezikovna posebnost in da jo je torej mogoče ustrezno zamenjati z dobesednim izrazom, zato se imenuje substitucijska teorija metafore.

Lakoff and Johnson enormously contributed to creating the necessity of conceptual metaphor to be a framework for wondering in language, leading scholars to investigate the first ways that writers applied novel metaphors and dilemma the elemental frameworks of imagining in conceptual metaphors.

The number of tracks containing ambiguous metaphors and intriguing but obscure symbolism may be extended indefinitely. Even now, … there are hollers, operate songs, industry tunes, and blues whose indicating is actually not subject matter to a great deal of interpretation.

Cognitive linguists emphasize that metaphors provide to aid the idea of one conceptual domain—commonly an abstraction which include "life", "theories" or "Tips"—by way of expressions that relate to a different, additional common conceptual domain—usually a lot more concrete, for example "journey", "structures" or "food items".

“Mi llanto es here el río que corre por mis mejillas”: Se establece una relación entre el tenor real que es el llanto y el metafórico que es el río, ya que ambos son líquidos que fluyen.

A metaphor can be a determine of speech that describes an object or action in a way that isn’t literally true, but allows demonstrate an strategy or come up with a comparison.

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